The last segued into his appearance on the stage, which was decorated to resemble the cosy living room of his youth, complete with lampshades and a television set from the 1970s. -- PHOTO: FLYER ENTERTAINMENT
David Tao trots out Western pops, but crowd saves biggest cheers for his
Mandarin hits
By boon chan, media correspondent (Straits Times, Life)
===========================================
DAVID TAO IN SPACE - THE TALK & ROCK SHOW
Singapore Indoor Stadium
Last Friday
Singer-songwriter David Tao was happy to show his age at his concert.
The video introduction solemnly listed the momentous events of his year of
birth, 1969 - the premiere of popular children's TV show Sesame Street, the
seminal music festival Woodstock and man landing on the moon.
The last segued into his appearance on the stage, which was decorated to
resemble the cosy living room of his youth, complete with lampshades and a
television set from the 1970s.
His first song was David Bowie's Space Oddity (1969), with the lyrics tweaked to
'Ground control to major Tao'.
Welcome to the world David Tao grew up in. The American-centric slant of the
narrative is a little strange since he was born in Hong Kong, grew up in Taiwan
and only attended high school and college in California.
No matter, it gave him the frame to delve into Western pop songs of that era
such as Procol Harum's A Whiter Shade Of Pale (1967), the Commodores' Easy
(1977) and Soft Cell's Tainted Love (1981).
It was for Tao's songs, though, that the 5,000-odd audience saved its biggest
cheers. He sang his Mandarin R&B hits such as his first single Airport In 10.30,
crowd-pleaser Regular Friend and the jangly Rain.
He seldom did just straightforward renditions of his songs, preferring to play
around with the arrangements to offer something new for his fans.
So, Small Town had a rock makeover while the bombast of A Big Mess was upped a
notch with a backing children's choir.
While he had no problems with belting it out, the elegiac Seasons Of Loneliness
could have done with more delicacy. And perhaps his falsetto was not quite what
it used to be and he skirted the highest notes, most noticeably on Regular
Friend.
It was also telling that his most popular songs were from his earlier albums
rather than from his latest, Opus 69, which provided one of the evening's high
points. RE: DT (Regarding David Tao) worked better in a live setting rather than
on disc, where it can sound a little indulgent.
On the clear-eyed number, he rapped about his career, 'It's okay even if I'm not
number one now' and added 'This time I'm really gonna make a movie', taking a
dig at his own oft-stated proclamation to go off and make films.
Between songs, the personable singer shared anecdotes of his youth. He jokingly
recalled that he used to be traumatised at home by the clashing strains of Elvis
that his father listened to and the Peking opera his mother sang.
He also showed a cheeky side when he urged 'Come on, Singapore, let me hear you'
when the line 'We don't need no thought control' came up for Pink Floyd's
Another Brick In The Wall.
While the classic rock detours were mostly welcome, Tao's Guitar Hero moment
with the Eagles' Hotel California came across overdone.
On the whole, this was a fairly entertaining show that offered some unexpected
surprises even if it was not exactly one for the ages.
